THE SHY AND FEARFUL LITERARY REVOLUTION: JAMES CUMES






EXTRACT

As we entered the 1960s, the pace of our flight to freedom or licentiousness in the real world quickened.

British poet Philip Larkin told us that “sexual intercourse began in nineteen sixty-three.”

More or less concurrently, our literary treatment of sex was transformed from a patient evolution into a virtual revolution. From hinting and teasing, our literary flirtation with the intimacies of sex now took us – and quite quickly - “all the way”.

But the revolution still remained, except at the more extreme literary edges, somewhat shy and fearful.

It gathered pace as the second half of the 20th century brought a wholesale revolution in our every day – and overnight – attitudes to sexual behaviour.

This real-life revolution accepted not only heterosexual frolics using a variety of positions, techniques, sex-toys and the rest, but also homosexual relationships between two men or lesbian love between two women. A variety of other activities also received a high degree of acceptance, whether among straight or other couples.

A reasonable hypothesis is that these permissive attitudes towards sex compelled at least some superficial acceptance in the literary world. With some lag, this did occur. The revolution in the real world was accompanied by a broadly similar revolution in the ways that the literary world dealt with what had been, especially in Anglo-Saxon societies of the Victorian Age, a pretentiously “delicate” and, at the same time, irresistibly titillating subject.

It is hard to say to what extent the somewhat shy and fearful literary revolution helped quicken and intensify the everyday sexual revolution. It may have been the other way round. Probably each felt an empathy in which one lent reinforcement to the other: more sexy literature encouraged more liberated sex; more liberated sex encouraged the sophistication of its literary counterpart.

Whatever the relative influences, the revolution is still far from complete. In launching Martin Amis’ novel, The Pregnant Widow in January 2010, the publisher Jonathan Cape wrote:

"The 1960s, as is well known, saw the launch of the sexual revolution, which radically affected the lives of every Westerner fortunate enough to be born after the Second World War. But a revolution is a revolution - contingent and sanguinary. In the words of the Russian thinker Alexander Herzen: The death of the contemporary forms of social order ought to gladden rather than trouble the soul. Yet what is frightening is that what the departing world leaves behind it is not an heir but a pregnant widow. The death of the one and the birth of the other, much water will flow by, a long night of chaos and desolation will pass. In many senses, including the literal, it was a velvet revolution; but it wasn't bloodless. Nor was it complete.”

Where to purchase Sex and the Short Story:

http://books.google.com.au/books?id=vI9Cn9TESiQC&printsec=frontcover&dq=inauthor:%22James+Cumes%22&hl=en&sa=X&ei=VQ9KU8GZKc2XkwWR24CwCg&ved=0CDMQ6AEwAQ#v=onepage&q&f=false

http://www.amazon.com/Sex-Short-Story-James-Cumes-ebook/dp/B00CAY26RY

https://itunes.apple.com/au/book/sex-and-the-short-story/id634315304?mt=11


http://www.asenseofplacepublishing.com/sex_story.html

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